“Mayhem” puts the lie to that idea: Brash, squirmy, full of detailed grooves and expertly crafted hooks, it’s a winning reclamation of her trademark sound — her best since 2011’s “Born This Way” and precisely the album you’d want her to drop before headlining Coachella, as Lady Gaga will do next month.

She dances on the line between clever self-referentiality and less inspired rehashing on her new LP, committing to the over-the-top excess that first made her a star.

Instead, she’s made one of her most sonically challenging and uniform albums yet: a mix of Nine Inch Nails, David Bowie, Prince and her Fame Monster -era self, rolled into the year’s strongest pop release yet.