Brian Wynne, Head of Technology Infrastructure, RTÉ As media evolves faster than ever, many public service media (PSM) ...

The second phase of the ECOFLOW IBC Accelerator project is now underway, supporting efforts across the media industry to ...

Wide Colour Gamut (WCG) displays are now standard in High Dynamic Range (HDR) productions, delivering more vivid, realistic, and immersive visuals by supporting a broader range of colours than ...

Jürgen Grupp (SWR) ...

From Ontology to Knowledge Graph with EBUCorePlus – bridging the operational gap|Philipp Roth (ORF) ...

The Dynamic Media Facility Reference Architecture defines a layered model for modern, software-defined production infrastructures that builds on existing concepts used in the cloud space, such as OSI ...

The EBU Tech 3374 calibration chart is designed to rapidly validate some of the most common issues encountered when setting up an HDR monitoring system.| ...

This pattern includes tests for: UHDTV UHDTV to HDTV conversion Measuring luminance response Visualizing saturation and hue shifts caused by monitoring equipment Checking correct installation of SMPTE ...

For France Télévisions, the Paris Olympic Games provide the impetus for several advances in production and distribution technology. Turn to pages 10–11 for an overview of the projects that will ensure ...

This report sheds light on frequency planning of 5G Broadcast networks, including sharing and compatibility between 5G Broadcast and DTT in the spectrum range 470 – 694 MHz. The way in which the ...

This document provides predefined modes of operation for reference video monitors used in programme production. Tables of parameters for a range of target luminance values together with examples of ...

3G-SDI video infrastructures are widespread and can be used for HDR productions in HD and UHD resolutions. This document explains what signalling options there are and recommends which to use to help ...