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At three intervals throughout Vijay Masharani’s eighteen-minute video Good Attack (2021), the camera fixates on a sign ...
Mimi Howard. Mimi Howard is a writer and critic based in New York whose work explores contemporary art and the legacies of ...
When I used the term “Muslim body” in my curatorial note* for an exhibition in New Delhi last year, I did not anticipate ...
Najrin Islam. Najrin Islam is a writer, curator, and film programmer currently based in London. Her writings have featured in ...
Throughout the film, Holman complicates the mechanisms of the close-up as a technique for accentuating intimacy—a window into ...
An eight-foot wooden ramp was propped up at a forty-five-degree angle in one corner. Knotted ropes hung from six holes drilled near the ramp’s top. The din of the ongoing installation echoed from ...
While I had followed their work for some time, I did not meet Catalina Ouyang until last fall, at a symposium at Stanford University called IMU UR2: Art, Aesthetics, and Asian America. We were ...
Pablo Picasso is so famous and so ubiquitous and so dead that he is easy not to think about at all. It’s as though ...
From October to November 2022, John Goodwin installed goodtime, a group exhibition in which I participated at the Plumb—a plucky noncommercial gallery “ administered by an ad hoc collective of artists ...
As a visiting scholar engaged in my doctoral research, I met with curatorial leadership to learn more about the extent to which MOA had learned from and listened to so-called “source communities” in ...
On August 29, 2023, the Globe and Mail published an article headlined “Toronto’s cash-strapped Artscape to enter receivership, end management of 14 artist facilities.” ...
When I carve out time to look at art with my son—whether it’s an impromptu visit to a gallery in our Thai Town neighborhood or treks to MOCA, LACMA, and the Hammer—I don’t have the luxury of ...
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